When did Yamaha introduce YESS Mounts? That is the question many have been asking lately, for sure! This article is here to give you the right answer to that! Below you will discover more about the history of Yamaha Drums as well as some beneficial data.
Sakae is truly interchangeable with Yamaha. This is a tiny manufactory of drums with around 40-60 employees. What’s more, it is indeed custom drums. The famous YESS mounts were introduced in the 93-94 timeframe. Knowing that the 96 sample kit is in fine shape and has a suitable price, it may be considerable.
Table of Contents
History of Yamaha Drums
#1 The Beginning: D20 and D30
The foremost samples were assembled at Yamaha’s Niitsu manufactory in Japan. After some time in Miyatake manufactory too. Numerous drummers who are acquainted with Yamaha nowadays think that Sakae Rhythm was the initial Yamaha exhibition installation. However, the exhibition was initiated at Yamaha’s factories. One more typical misreading is that the Air-Seal System was invented at Sakae Rhythm. However, it arrived from the foremost models from these manufactories.
One of the earliest Yamaha drum flyers delivers the authentic Yamaha exhibition building and defines Air Seal System tech, a Yamaha creation that is a critical part of the essence as a drum manufactory till now.
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#2 The Yamaha Artist
Al Foster, who was traveling Japan with the Miles Davis back then, inscribed on to evolve a Yamaha endorser back in 1972. This was the major juncture at which Yamaha drums started appearing as world-class instruments that met the majority of necessities of guiding experts in the domain. This is the unwritten rule!
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#3 System Drum Hypothesis
Shell mount hardware had been separate for each series and standard until now. The system drum vision was obtained about the merger of all drum mount hardware. That way it all could have a mixture and integration as necessary. Hexagonal sticks and holder grounds of the exact specifications were mainly in concept for all examples. Moreover, the diameter of all staging hardware piping and holders had a stopping point of 22mm to permit complete system elasticity and independence.
Even though this practice is unremarkable among today’s drum factories, it was an extreme vision at that time. Simply one of Yamaha’s many inventions that have evolved norms. One more Yamaha hardware invention worthy of praise is the wide boom stand. It had a patent back then, yet, as soon as the patent lapsed all of the rivals started copying the structure. In this day and age, it has evolved to be another “average” quality.
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#4 Yamaha Ball Clamp
This constantly adaptable ball clamp is responsible that we have positioning toms up, down, left, or right, to any place essential with one swift motion. The recent structure permits toms to be reversed over for timely bottom-head tuning. That is a quality that is vastly respected by both drummers and drum mechanics. Similar to the hexagonal mounting bar, the ball clamp has evolved to be a character of Yamaha hardware dominance.
#5 YD9000 The Recording Custom
This sample had 100% birch covers, one-piece lugs, and a beautiful poured finish. Maple was the most prevalent material for drum surfaces back then. Going with the trend established by jazz drums from the United States. Even though most of the research is linked to pianos and wind devices, birch would be ideal for drum shells. The complete strength of Yamaha technology went to the exhibition of this milestone development.
The benefit of one-piece louts to improve the natural hardness of the birch shells had an outcome in a tight, well-set sound that was sky-high and embraced by numerous top artists of the day. That includes Steve Gadd and Cozy Powell. The sound was so well done to register that the YD9000 has evolved to be the most recorded drum pack ever. The name got a new one then “Recording Custom,” a standard that we still see nowadays.
#6 Maple Custom
Even though there were worries that a transition from birch to maple shells may meet some opposition from users, Yamaha launched maple shells to adjust to transitions in the music scene. Also, to develop recording tech. From about the mid-’80s, with the emergence of fusion, drummers started requiring reaction and resonance that would fit the more complex phrasing for that genre. Maple had a bright, quick response that was perfect. So, by lowering the proportions of parts that may enfeeble resonance as much as likely the natural shell resonance could reach through with available tone. This goes without saying!
This led to the growth of little, lightweight lugs, an overly thin “vintage” finish, and the YESS (Yamaha Enhanced Sustain System) nodal mounting for loose, organic shell resonance. The concept of utilizing little lugs so that they don’t drain shell resonance was fast embraced by other manufactories too.
#7 Stage Custom
Throughout the ’90s Yamaha held an energetic, assertive strategy for product growth. The Stage Custom example from 1996 was one outcome. This series had the exact type of birch shell that was in the widespread RC series. Along with the identical one-piece lugs and a lovely sprayed finish, at a quite reasonable price.
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#8 Maple Absolute
The Maple Absolute series brought the perspective of reaching the richest conceivable shell resonance to another level. In the same year, new beech shells came into existence along with the current birch shells in the Absolute series. At roughly then, Yamaha was cooperating with top-level artists from around the globe in inventing a field of thrilling new outcomes. For instance, some of them are JR drum kits, and the Musashi snare.
#9 Oak Custom
Even though other manufactories tried to avoid utilizing oak in drums as it is incredibly hard to work with, Yamaha achieved in creating this quite tough wood into drum shells utilizing the Air-Seal System tech. The outcome was an amazing retort and giant bass that pushed this model to be a measure in the Yamaha lineup.
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#10 The Absolute Series Evolves
Now, it’s time to talk about the growth of the Absolute series! Driving Yamaha ending tech to the limitation, a lineup of nearly fifty colors is out there for the Absolute series. The rebellious separable Nouveau lugs exist to further diminish shell damping while at the same time creating head substitutes more comfortable than ever. This goes without saying!
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#11 The PHX Series Is Born
A long time of drum-making experience and getting the technical know-how, plus an in-depth reappraisal of every essential element of drum method and exhibition. This all arrived in a mixture to obtain a deep expansion in the shape of the hybrid shell. That is the main point of producing a distinctive tone and power. The lugs carried another changing leap as well. Moving past the vision of minimizing shell damping, lug setup and mounting now plays an active role in making and holding the sound of the drums by subduing bad harmonics. Tom mounting has extended as well, resulting in distinctive tone and invariant playability.
#12 PHX Technology
The YESS2 mount and latest hook lugs that are for the PHX sequel are now present in the Absolute series as well, contributing to an even more apparent, more affluent sound. A newly unique texture finish you can spot in the Rock Tour series, particularly enhancing seeable influence. Kapur went on and exists for its outstanding tonal differentiae in the PHX series drums and is now utilized as the exclusive tonewood for the sound of the Club Custom drums. This truly goes without saying!
So, here we are, at the very end of our informative piece of writing. There was a lot to process for sure! The YESS mounts came into the existence in 93-94 timeframe. We hope this article answered your questions. Also, you were able to take a closer look at the narrative behind the Yamaha Drums. You can also see the expansion of different outcomes with the years and how it corresponds to this day.